(House)lights out: encounters with darkness and compositions of going dark
نویسندگان
چکیده
This article examines encounters with darkness through compositions of houselights and their elimination, arguing that not all brushes are alike. While eradicating directs seeing focuses attention, which already implies a dramaturgical-compositional significance, the design light in auditorium is predominantly relegated to preshow preamble will quickly be switched off. In response, I propose play an integral part performance event carry richer dramaturgical scenographic role than normally assigned them. related move, within growing study theatrical darkness, verb ‘to plunge' has been embraced refer immersion audiences darkness. However, recurring use term obscures many ways invited into Expanding formulation plunge, this traces potential embedded different paying close attention affective experiences juncture Turning theatre dark, examine how (house)light eliminated emerges David Rosenberg Glen Neath's Fiction (2015), Fye Foul’s Cathedral (2016) my Campfire (2016). do so move between toning tuning, suggesting akin lighting on stage, designing lights course powering them off can impact sense- meaning-making in/of performance, setting tone attuning what about unfold.
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ژورنال
عنوان ژورنال: Theatre and performance design
سال: 2022
ISSN: ['2332-2551', '2332-2578']
DOI: https://doi.org/10.1080/23322551.2022.2147762